Aerial 360 VR in Palau

As the weather finally cleared it gave me the opportunity to continue with my 360 VR project.

360 VR by Drone

46 images stitched together in PTGui to create this equirectangular 360 Panorama.

This image shows both Koror and Nikko Bay in the center with the port of Malakal to the left and lighthouse channel on the right.

 

Watch this space for more VR content.

 

Cheers

Filming Fish Spawning Aggregations in Palau

Back in March I accompanied the very experienced Dari Divers on a filming dive down to Peleliu to document the spawning aggregation of Sailfin Snapper. The schools at this time of year number in the tens of thousands. We did three divers and were able to witness some incredible numbers.

Check out this film I produced on it:

or the Youtube flavor:

https://youtu.be/22l1p66jlu8

 

If you’d like more information on joining Dari Divers for next years aggregation or even the month aggregations of other species see their website here: www.daridiverspalau.com

Cheers

 

Richard

 

 

Aerial Drone Stock Footage

When it comes to companies that represent me and my work, I can be very picky about who I send material to. After all, I am sending them my artistic content and there needs to be both a level of trust and commitment to the future representation from them in their site design and business plan.

So it’s not often I can say that I have decided to sign up with a new agency  and have them represent my Stock Content.

 

Aerial Entertainment Studios though is one and my initial submissions have impressed them enough to add me to their Exclusive team of artists.

My profile page is here:

I’ll be adding to it over time so if you are interested in aerial content check back for new material.

 

Cheers

 

Richard

Finding amazing locations for your production in Palau

Over the first two weeks of June I was commissioned to find locations that fit in with a storyboard for a production due to be shot here for the Palau Visitors Authority.

One of the scenes required a locked split shot of corals and an island/beach mid-ground.

I can’t divulge many details about the plot line right now of course only to say that it will be a tourism educational film to be shown on flights into Palau.

Aerial footage over Rock Islands, click on photo for link.

Filming took 6 days with crews from the US and Australia including local entities with a team from Lightning Strike providing Aerial Drone, Underwater and Behind the Scenes filming services.

Location Scout Palau
Part of the remit was “Places children play” and this place was awesome!

Part of the storyboard has an Aerial pov, so I was happy to oblige with a few days of drone flying at some of the most photogenic sites in Palau.

Aerial Palau
Whilst up, many further options for exploration presented themselves
Aerial stock Footage
Beautiful scenery from the air, click on photo for footage link.
Underwater scene with fish
Due to the high production demands all filming was done in Raw including underwater and the Magic Lantern firmware delivered.

This major production is now in the editing stage with the release date to be confirmed. When it is released it is going to cause a real stir as it will be  the first of it’s kind.  Watch this space and be sure to check back to see it’s progress!

 

Cheers

 

Richard

 

Underwater photography workshops in Palau

Underwater photography is a common art form these days with cameras readily available for reasonable prices. A large proportion of divers now have housed cameras ranging from a cell phone to the latest flagship behemoth “HMS Nikon”.

Underwater photography is art with a physical challenge too. The best photographer on land could be terrible underwater if they’re not a competent diver.

Underwater cameraman Palau
Sunbursts were the order of the day

When everyone has a camera and is “happy” with what they’re doing it’s nice to be asked by someone to help them improve their shooting.

Underwater Photography courses in Palau
A large school of fish offers the creative underwater photographer a multitude of imaging options.

On this occasion my student wanted help across a range of subjects. Here’s a run down of things we covered:

Many issues that lead to dissatisfaction in underwater photographers are down to the inherent intelligence of cameras. Especially with point and shoots and the more automatic varieties. What I mean is that cameras are often thinking too much and because they are mostly not designed with underwater photography in mind, they can make it more of a challenge to get the best shots out of them. Auto focus is a big one for this.

Once you find a cooperative subject shoot it in as many ways as possible

Dissecting what the camera is trying to do for you is the first step. Turning off “intelligent” facets of it’s character often requires reading the manual and a little experimentation. Get to know your camera.

Next comes the basic shutter speed/ aperture/ISO balancing knowledge that all photographers worth their salt should have a rudimentary understanding of. It’s not always available but being able to control them in the camera is so much more rewarding….. and challenging…. but that’s what I’m here for.

Subjects that don’t move too much and will allow you multiple attempts are good to start with

What will absolutely ruin a good underwater photography dive is when the housing doesn’t perform so I always advocate spending as much time as you can on preparation. All it takes is one o-ring or one connecting rod out of place and you have a camera that won’t work on the dive or worse is flooded. Be prepared.

After that we have the lighting and strobe positioning that is so important underwater. Correct or incorrect strobe use will make or break a shot, so developing the mindset of creating a studio  and moving your lights within it and around your subject will reap great rewards.

Often the student photographer has a certain shot in mind or wants to improve on certain elements of underwater images in general. This time we were going for sun beams through the water as a background to our perfectly placed subject so we focused on that when possible.

Spending the safety stop shooting sun bursts and beams

Overall, it comes down to patience and practice, but with an hour of preparation and coaching before the dives we had the set up and basic operations down, after a few trial shots underwater on stationary objects we have a better feel for strobe power and ball park exposure settings. Then after that it’s about looking for subjects and having fun. A few over the shoulder views by me allows a real time feedback for the student and quick adjustments when necessary. Between dives a more in depth discussion as we review results.

Certainly a faster learning curve than the old slide film days………

Contact Lightning Strikes for availability of courses or workshops, individuals or groups are welcome.

 

Cheers

 

Richard

 

Behind the scenes of Marine Sanctuary Enforcement in Palau

As the worlds oceans become overfished to the point of species extinction and ecosystem collapse, it becomes increasingly important to prioritize sanctuaries and no take zones. Of course those that want to fish will do so illegally regardless of the laws in place. That is why Palau has continued to increase it’s capacity for Policing it’s EEZ and National Marine Sanctuary.

In my capacity as a media producer I can help document this effort to raise awareness.

Now with the latest surveillance operation concluded I thought I would share some photos of the aerial component.

Flying with Pacific Mission Aviation in a Beech Queen Air Excalibur, daily sorties go out and conduct searches over vast tracts of ocean within Palau’s EEZ. The patrol boats are in the area but cannot cover such a huge area in the same time.

The hatch in the tail of the aircraft allows an observer to take high resolution photos of suspected illegal fishing boats

Each flight lasts about 8-9 hours and does an expanding square pattern out from a central point determined by visibility and altitude.

All eyes are pealed as we search

Aerial observation from 2000ft

My job apart from being an observer is to provide documentary evidence so we employed GoPros attached to key parts of the aircraft.

Part of this is also for promotion and as part of the remit was to include the aircraft in the shot with 3 patrol boats I proposed that we have a GoPro attached to the wing looking back at the aircraft and then have the plane fly just in front of the boats in formation.

We trialled it first with just the housings attached and found the sticky mounts were not strong enough when the aircraft descended in a dive……about 150Knots, the result…we out both the housings. So we took to attaching them a bit more securely with bolts and this time around they survived and did so with very little vibration and rolling shutter issues.

The above video shows how precisely the pilot maneuvered the plane. We set up a WiFi link to an iPad inside the plane so the pilot could see in real time the view from the camera. At one point the plane was close to 70 ft above the water doing over 100mph banking at 45 degrees…..quite a rush.

The end result was two apprehended illegal fishing boats loaded with illegally caught fish.

Using the 6K RED Epic Dragon in Palau

Filming Manta aggregations in the north of Palau for a cinematic documentary with the RED Dragon. (image: Pete Zuccarini)

We went up north to film the Manta aggregation that occurs at this time of year. I’ve been using a RED Epic Dragon with the Arri 8mm prime lens on front for the widest, closest images possible and we were not disappointed. The footage is for a cinematic documentary on Palau probably for release in the next year.

 

Ocean Warriors awarded

Got some great news this morning, Ocean Warriors, the Animal Planet series we worked on in Palau back in October 2015 has been given the Genesis award for Outstanding Television Series.

The series follows dedicated individuals and organizations that have made it their calling to stand up and do something in the global effort to  protect the worlds oceans.

The crew of the PSS Remeliik and film crew from Animal Planet Ocean Warriors series upon return from patrol. Palau, October 2015

For our part at Lightning Strike, we provided fixing services for the 3 man film crew here in Palau as well as drone, time-lapse, underwater media production and filming on the patrol boat PSS Remeliik. We joined the crew as they chased down illegal fishing boats near the South West Islands close to the Indonesian border.

The experience was a real eye-opener to see how a small documentary film crew works on location as well as the work being done to protect Palau’s EEZ from illegal fishing.

 

A big thanks to Pete Zucchini for the opportunity.