Over the first two weeks of June I was commissioned to find locations that fit in with a storyboard for a production due to be shot here for the Palau Visitors Authority.
I can’t divulge many details about the plot line right now of course only to say that it will be a tourism educational film to be shown on flights into Palau.
Filming took 6 days with crews from the US and Australia including local entities with a team from Lightning Strike providing Aerial Drone, Underwater and Behind the Scenes filming services.
Part of the storyboard has an Aerial pov, so I was happy to oblige with a few days of drone flying at some of the most photogenic sites in Palau.
This major production is now in the editing stage with the release date to be confirmed. When it is released it is going to cause a real stir as it will be the first of it’s kind. Watch this space and be sure to check back to see it’s progress!
We went up north to film the Manta aggregation that occurs at this time of year. I’ve been using a RED Epic Dragon with the Arri 8mm prime lens on front for the widest, closest images possible and we were not disappointed. The footage is for a cinematic documentary on Palau probably for release in the next year.
over the last few months I’ve been diving with Dari Divers here in Palau. They want to develop their website using my photos and films to show the range of their diving, as well as the new sites they are discovering, together with all the cool fish, sharks and Mantas at these new locations. They asked me to put together a short film of the regular features such as the spawning dives, aggregations, Blue Corner, Blue Holes, German Channel etc to begin with, which you can see here:
All the underwater stuff is shot on the Canon 5D3 running Magic Lantern capable of outputting 4K Raw footage.
Aerials were shot using the DJI Inspire 1, hand launched and caught from the bow of the boat during the surface intervals.
For the editing I looked at a different aspect ratio this time. 2.35:1 instead of the usual 16:9 to see how it holds up over time and initially I like the look. To me it makes the screen bigger even though it’s actually smaller…..
Let me know in the comments section below what you think to the film and whether or not the 2.35:1 ratio works for this sort of thing.
Watch out for more media coming from this new collaboration as well as views from new as yet undisclosed sites around Palau.
I’ve been a Media Producer in various guises in Palau for 10 years now, initially as an underwater cameraman with a little bit of topside work thrown in, then diversifying into Time-lapse, run n’ gun, aerials (drone and aircraft), interviews etc.
Palau has changed a lot in those 10 years and this has made me change with it.
Here are 10 things (actually 11) I’ve learned about Media Production in that time:
Now more than ever people have cameras, as a dedicated cameraman I’m being squeezed by the ready availability of cameras. Everyone over the age of 5 seems to have one (gross over generalization, I know). So now more than ever I have to be inventive with my imaging, flexibility and the old cliche of thinking outside the box are more important than ever before. Don’t be afraid to try new techniques, think about a sequence or image you want to acquire, no matter how crazy or impossible it first appears to be, then work out how to do it. Dare to be different.
The first Survivor Palau needed location scouts, fixing services, permits, talent, crew, camera assets, camera rentals, customs clearence, vehicles, accomodations…. All things the production team needed to know about BEFORE they got off the plane for the production shoot.
This is where having an experienced and well connected local crew can save you time and money, ensuring you get what you need to deliver your project on budget and on time.
A location shoot doesn’t have to be stressful, it shouldn’t be stressful if you have done your research and found the right guys on the ground to get things done for you. If things for whatever reason don’t pan out, and sometimes no amount of research will stop it, it’s good to have people there that are focused and can still deliver if the Gods of fate are not smiling.
Pooling your resources is important. Having what you need a phone call away is something that only a well connected and experienced fixer can provide. After all, it’s not what you know it’s who you know. No amount of years filming for this or that company will enable you to get an interview with the President or find you the village elder that can deliver the story clinching quotes.
Lightning Strike Media Productions has at it’s disposal an accumilation of decades of media production, journalism and living in Palau experience. If you are a Producer, DP, camaraman or one man production unit, you should let us help you realise your production goals. We work closely with the Government and NGOs on a variety of projects so have great contacts and experience where it matters.
Our clients have included Discovery Channel, ABC Australia, CNN, Arte, ZDF, Al Jazeera Economist magazine and the BBC along with numerous ad agencies and independant producers.
Palau’s northernmost island Ngurangel and it’s southernmost Helen Reef are separated by little over 400 miles of island peppered ocean but are remarkably similar. Both are low lying sandy features surrounded by huge atoll reefs which makes them a haven for both marine and bird life.
Helen Reef filmed during an illegal fishing observer mission
Helen reef is a long thin spit of land, sparsely vegetated and has a resident population of 4 rangers, 3 dogs and about 5000 sea birds. The rangers have their own accommodations and keep an eye out for illegal fishing activities. It lies closer to Indonesia than it does Palau’s capital Koror.