Over the first two weeks of June I was commissioned to find locations that fit in with a storyboard for a production due to be shot here for the Palau Visitors Authority.
I can’t divulge many details about the plot line right now of course only to say that it will be a tourism educational film to be shown on flights into Palau.
Filming took 6 days with crews from the US and Australia including local entities with a team from Lightning Strike providing Aerial Drone, Underwater and Behind the Scenes filming services.
Part of the storyboard has an Aerial pov, so I was happy to oblige with a few days of drone flying at some of the most photogenic sites in Palau.
This major production is now in the editing stage with the release date to be confirmed. When it is released it is going to cause a real stir as it will be the first of it’s kind. Watch this space and be sure to check back to see it’s progress!
I’ve been struggling with panning time-lapses and Circular Polarizers since…well since I started using the combination. The sky is never consistent and the darkening effect uneven.. So I invested in a professional level ND filter system from Lee, a UK based filter company.
It’s not cheap to start but the quality is incredible. There is no colour cast on the image, all the filters do is limit the light. This means I can either open up the iris for really shallow depth of field or keep the shutter open for much longer and still have a properly exposed shot.
This shutter dragging is what I’ve been looking for with Time-lapse sequences and the Lee system allows me to stack multiple filters together to really dial in the effect. The system also allows me to start with say 3 filters then as the sun goes down I can remove them one at a time whilst adjusting the camera’s exposure to transition from day to night.
Yesterday was the first field test so I packed my gear and headed for one of Palau’s secluded waterfalls.
Using a 0.75 filter I could drag the shutter to 1.3 seconds blurring the water nicely.
Watch this space for more insights into these freshwater environments or check out this section of my portfolio for creatures I’ve already filmed at other waterfall and freshwater locations in Palau.
The first Survivor Palau needed location scouts, fixing services, permits, talent, crew, camera assets, camera rentals, customs clearence, vehicles, accomodations…. All things the production team needed to know about BEFORE they got off the plane for the production shoot.
This is where having an experienced and well connected local crew can save you time and money, ensuring you get what you need to deliver your project on budget and on time.
A location shoot doesn’t have to be stressful, it shouldn’t be stressful if you have done your research and found the right guys on the ground to get things done for you. If things for whatever reason don’t pan out, and sometimes no amount of research will stop it, it’s good to have people there that are focused and can still deliver if the Gods of fate are not smiling.
Pooling your resources is important. Having what you need a phone call away is something that only a well connected and experienced fixer can provide. After all, it’s not what you know it’s who you know. No amount of years filming for this or that company will enable you to get an interview with the President or find you the village elder that can deliver the story clinching quotes.
Lightning Strike Media Productions has at it’s disposal an accumilation of decades of media production, journalism and living in Palau experience. If you are a Producer, DP, camaraman or one man production unit, you should let us help you realise your production goals. We work closely with the Government and NGOs on a variety of projects so have great contacts and experience where it matters.
Our clients have included Discovery Channel, ABC Australia, CNN, Arte, ZDF, Al Jazeera Economist magazine and the BBC along with numerous ad agencies and independant producers.
Palau’s northernmost island Ngurangel and it’s southernmost Helen Reef are separated by little over 400 miles of island peppered ocean but are remarkably similar. Both are low lying sandy features surrounded by huge atoll reefs which makes them a haven for both marine and bird life.
Helen Reef filmed during an illegal fishing observer mission
Helen reef is a long thin spit of land, sparsely vegetated and has a resident population of 4 rangers, 3 dogs and about 5000 sea birds. The rangers have their own accommodations and keep an eye out for illegal fishing activities. It lies closer to Indonesia than it does Palau’s capital Koror.