I don’t know how many out there are still using this combination, I feel….. I know, on my island, I’m the only one, and that makes me nervous but excited at the same time.
I love the bleeding edge. I don’t have the money to gamble a test on my own $2.5K camera body with new firmware on a regular basis, but will bite the bullet once some guinea pigs have gone first….
What gets me though is the latitude inherent in the 5D3. It seems that Canon put a C700 system in a DSLR body and restricted it, but at the same time left the door open…
That was what I was gambling on.
Super 35mm 4K comes to Canon 5D Mark III in new Magic Lantern module – IT’S REAL
Full credit to the guys who work the code. Hats off to you A1ex and co.
Regards and thanks
over the last few months I’ve been diving with Dari Divers here in Palau. They want to develop their website using my photos and films to show the range of their diving, as well as the new sites they are discovering, together with all the cool fish, sharks and Mantas at these new locations. They asked me to put together a short film of the regular features such as the spawning dives, aggregations, Blue Corner, Blue Holes, German Channel etc to begin with, which you can see here:
All the underwater stuff is shot on the Canon 5D3 running Magic Lantern capable of outputting 4K Raw footage.
Aerials were shot using the DJI Inspire 1, hand launched and caught from the bow of the boat during the surface intervals.
For the editing I looked at a different aspect ratio this time. 2.35:1 instead of the usual 16:9 to see how it holds up over time and initially I like the look. To me it makes the screen bigger even though it’s actually smaller…..
Let me know in the comments section below what you think to the film and whether or not the 2.35:1 ratio works for this sort of thing.
Watch out for more media coming from this new collaboration as well as views from new as yet undisclosed sites around Palau.