It’s hard to know what to include in a 3 1/2 minute representation of an entire years work of Media Production across the Pacific. The obvious answer is “the best bits” or make it longer than 3 1/2 minutes!. But it’s not that simple. Because without wishing to appear like a braggart, it has been a very busy 2018.
There has been 3 filming expeditions. One to the South West Islands of Palau and two to Kiribati. There has been projects on the Protected Areas Network of Palau and Dugong conservation. Various spawning aggregation documenting and VR 360 projects. Aerial Surveillance missions. National Geographic assignments, even Taro cultivation and responsible cat ownership…The list is certainly diverse!
Compared to last years show reel, we have expanded our range out across the Pacific. Filming in some extremely remote locations but also doing a lot of work still in Palau.
I haven’t been able to include a bit of everything into this years show reel but hope that what is included is representative and entertaining at the same time.
Over the year we have expanded our range for media production across the Pacific, providing underwater and drone filming services to clients including Woods Hole Oceanographic Institute of which you can read about here.
It’s who you know for media production in the Pacific region
At the same time we have increased our range of contacts across the Pacific region. We visited a variety of Environmental and Fisheries themed workshops thereby networking with a huge number of contacts. This networking is hugely valuable in future media production projects across the Pacific. From the Solomon Islands to Hawaii, Vanuatu to Pohnpei, Yap to Fiji. We can help put you in touch with media production professionals across the region. Contact us if you would like to know more.
If we can’t help you directly, we can certainly help you find someone that will. We look forward to hearing from you.
Fast forward and we arrive on Christmas island and board the “Sea Dragon” a 72 ft sailing boat. That afternoon we set sail for our first destination; the Atoll of Kanton.
For a week we sailed along a 240 degree heading, crossing the equator. Sampling water from the Equatorial Under Current as we went.
The atoll of Kanton has 56 residents. They live a quiet peaceful life but long for visitors and welcomed us warmly. During WW2 it was very different. Kanton was a US and British air base with over 1200 servicemen present. The abandoned wreckage from that era still litters the atoll.
We went to work almost immediately in a baptism of fire. My first task as underwater cameraman on this expedition was documenting the deployment of scientific instruments. The site in a tidal channel to the inner lagoon. Easier said than done when the current barely stops moving and can get as fast as 6 knots….
Diving in a Pristine environment.
Working in strong currents is as any diver who has experienced it, a struggle. Filming stable footage is especially challenging, but after two dives we had achieved our goal. A large and heavy scientific package was positioned and activated, gathering important data on the tidal dynamics of this near pristine environment.
The next few days flew by as we dived on some of the most pristine reefs on the planet. The Phoenix Islands are in one of the largest marine protected areas of the world. It’s obvious as soon as you slip beneath the waves. It’s likely that these reefs are only dived maybe once every two years by a handful of people. In that situation the local fish find divers very interesting. Within seconds the fish start arriving and continue to follow you, circling for the whole dive.
Being the underwater cameraman on this expedition meant I was charged with documenting everything the scientists did. This meant diving sometimes 9 times a day, retrieving scientific instruments, conducting scientific surveys, shooting everything in fact. The end products will be used to promote the work done by WHOI.
With there being so much diving, battery management and data wrangling was especially important and by the end of the trip I had over 3 GB of data which I had been backing up daily. On top of that I was also flying a drone and shooting anything happening on the boat too….Much of what I shot is still under wraps so what I have been able to release so far is a tiny fraction.
At this stage I should mention how good the crew were on Sea Dragon. Eric, Shanlee, Charles, Shannon and Jess were there for us the entire time. They tended the boats, cooked, filled our tanks and remained positive throughout. It made our jobs that much easier and the experience onboard wholly enjoyable. I can’t thank you enough!
Onwards to new horizons
After 5 days in Kanton we set sail again, this time for Nikumororo. Two more days pass.
This small atoll was where Amelia Earhart hopefully ended her round the world attempt in 1937. The romantic end to her valiant effort has yet to be verified and what we find is nothing short of miraculous.
We arrived to be greeted by Sperm Whales, and on almost every dive by Dolphins who immediately disappeared as soon as we hit the water…. We even were escorted by a Killer Whale at one stage….
The reefs here are again incredible. The isolation palpable.
The fish take turns to swim around you and check you out. Even in environments devoid of corals and only covered with algae there are still thousands of herbivorous fish.
One morning we locate the one reasonable landing spot on the island and go ashore. Beforehand we have to have our clothes sprayed with heavy duty disinfectant to minimize the chance of taking any invasive species with us.
What strikes me is that there is no plastic on the beaches. Compared to somewhere like Palau where there is huge amounts on practically every coastline, here at last we are free from it.
The inner lagoon supports a huge number of Black-tip reef sharks. The scientists take water samples but it quickly becomes apparent that this is a dangerous activity. Numerous sharks come in very close to check them out. One scientist even gets a nip on his heel. The love bite opens up 3 surgical cuts on his heel. We decide that it’s not worth trying to retrieve a logger submerged in the middle of the lagoon….
One of the nicest aspects that highlighted our isolation was how tame the birds are. Boobies nest on the beach here and are completely unafraid of us.
We again departed before we had really scratched the surface and after another day of sailing we approached Orona. This atoll had a different feel to it. It had been inhabited up until only 15 or so years ago but the colonists disliked being there so much they left. When we made landfall, there were still buildings in good condition but the amount of trash and leftover rubbish from those inhabitants really bought home how isolated they were and yet how much of an impact humans have, even just 30 people….. The reefs too had seen better days and were still recovering from the most recent warm water event.
In preparation for this trip I had looked at maps of the proposed atolls and of them all, I wanted to fly the drone over Orona the most. It has what is called “Hoa and Motu”, Polynesian words for channels and small islands sometimes found on Pacific Atolls.
Our next island was Rawaki, about 1km square, treeless and covered in seabirds. We dived and cored here for two days before making our way back to Kanton.
After a couple more days we are back in Kanton to pick up the scientific instruments we had left there previously, it goes without a hitch but the feeling we are on our way home is both happy and sad. Sad to be leaving this incredible place that we have only just scratched the surface of, happy knowing that in about 10 days we will be home again with our families. And so we say goodbye to the our friends on Kanton and set sail for Christmas Island and our flights back to civilization.
That was the easy part
For the next 7 days we sailed into a steadily increasing wind. The sea state worsened, the progress slowed. The Sea Dragon, whilst having been designed to do just this sort of passage handled it all in the capable hands of the crew and Skipper it was still a struggle. The main sail developed a tear and had to be replaced with a storm sail, and for about 5 days we were tacking into 25+ knot winds meaning the whole boat was heeling over at an impressive angle. Squalls hit us and night watches were particularly hard especially for a Green horn with practically no sailing experience. Our spirits were challenged by our slow hard going but camaraderie prevailed.
And finally after a week of bad weather and hard sailing we finally arrive at Christmas Island. Almost as soon as we drop anchor we crack open a celebratory beer. Even now I’m laughing at that moment of relief. Damn that beer tasted good.
We had a couple more days of filming and diving and coring left as we were joined by the Laboratory head Dr Anne Cohen. So the very next day we were out again, rounding off the research and ensuring the money shots were in the bag. For all the basic amenities available on Christmas island the diving was still phenomenal and the Dolphin population huge.
It looks idyllic…
Looks nice doesn’t it and postcards do, but what doesn’t come across is the heat, the flies, the heavy pack on your back, the blisters on your feet, did I mention the heat? Being an expedition cameraman is hard especially if you are a sole shooter. Even if you do have a team of sherpas to help carry your gear, you are still concerned about that gear. Is it packed properly? What if it gets dropped, will it survive that drop? Is that packing case properly waterproof? Insurance for your gear is of course something only a fool would avoid, but a busted camera in the middle of nowhere is still busted without a hope of being replaced for weeks. So, taking two of everything important is something you really need to consider doing. I had two drones, 4 cameras, extras of so many things just in case….
It means you don’t travel light, it’s impossible. If you are aiming to get aerial, underwater and topside shots at a professional level and have backups in case of accidents or failures…that’s a lot of equipment.
On this trip I nearly lost a drone, and one of the Underwater camera sensors had an obvious dust speck that I couldn’t clean. As it was I had a backup for both. Things could have been worse but thankfully the gear was packed well and stowed well on board a boat that was heeling over by 30 degrees at times.
Making it home
I approached this project with extreme caution, I made sure (as much as possible) that my personal gear was safe, that I was safe, that I would be able to bring home the footage (and duplicates) and that my client would be happy with the results. It was not easy, but then the best things in life are never easy. But it is one of the best things I have ever done and something I would jump at again.
I wish I could show you more of what I did on this trip and one day I may be able to but for now it’s still in the process of being edited so patience is key.
If you’ve made it this far, I’m impressed, it’s a marathon post! I hope it’s given you some insight into both what we experienced and what it took for me to film this expedition in what was literally the middle of nowhere.
If you’d like to read more about what it takes to be an underwater cameraman this post might be of some interest.
If you like to contact me about any filming opportunities please find me at this address.
A Marine Protected Area (MPA) is simply a protected marine environment. What does that actually mean and how do people interpret it?
The goal of an Marine Protected Area
The goal of a Marine Protected Area is to let the marine environment recover to a state essentially unaffected by humans. It progresses from the affected stage to the unaffected stage, it’s natural stage. This state depends on where it is geographically and the natural equilibrium it would attain based on what surrounds it. In ecological terms it reaches it’s climax community.
An unpolluted Marine Protected Area will accumulate species that would naturally occur in that environment. Polar species for a polar environment, temperate for temperate etc. Those species would, when left alone, essentially fight it out amongst themselves. An ecosystem would develop that is the same as an environment where there are no humans.
The goal of a Marine Protected Area therefore is to allow that to happen. That is to leave it alone. To leave it alone implies no harvesting and no external anthropogenic influences.
How to create a Marine Protected Area
Firstly MPAs require a local desire (usually national) to protect the area. Laws sometimes come into effect that impose an obligation to local populations to leave the area alone.
At times, military occupation of an island or archipelago ensures that. The environment is off limits as a result of the entire region being protected for strategic purposes. e.g. The Chagos islands.
In rare circumstances such as on Bikini atoll in the Marshall islands, nuclear weapon tests meant that the area was off limits for decades due to being toxic. The depopulated environment recovered despite the initial poisoning.
Once an MPA is announced, it requires people to be kept out of it. This can be achieved by laws alone. But because people break the law, policing of the area is often required. Severe deterrents to would-be poachers need to be publicized and enforced.
This previous post highlights the development of surveillance in Palau’s National Marine Sanctuary.
The degree of protection attained is governed by numerous factors. This influences the outcome and overall ecology of the area.
What happens if total protection isn’t attained?
Firstly, total protection is rarely attained. Nowhere on earth is completely free from human influence. Even the very deepest marine trenches are showing signs of human pollution.
What is Pristine?
If “Pristine” is completely untouched (0% human influence) a Marine Protected Area is trying to get as close to zero as possible.
So basically, if you remove one or a significant portion or number of any species, it will have an effect on the entire ecosystem. The ecosystem shifts to compensate for the imbalance. Ecologists call this Trophic Cascade. Trophic levels are essentially what separate plant from herbivore, herbivore from predator.
So by reducing the numbers of predators, the prey species populations will increase. (Less are being eaten). This will have an effect on what they in turn hunt or harvest. Once those species populations change that will then change what they influence. Imagine a line of dominoes that spreads out into a web. One influences another which then influences more again. These changes in populations not only affect populations either side of them of them but they can also affect the very chemistry of the environment. If there are more or less plants in a system, there would be more or less Oxygen or CO2 available.
Altering the physical chemistry of a system also causes ecological cascades. Increase or decrease in temperature is like changing it’s geographical location. Adding chemicals will also change ecosystems. Farmers increase productivity of their fields with fertilizers. Plant growth can increase if certain compounds of Nitrogen or Phosphorous are added. A process called Eutrophication. Too many plants and not enough herbivores to eat them means systems can be overrun by plant life, choking and shading what was there before.
Benefits of MPAs
The lack of human harvesting from an MPA means that fish numbers and overall biomass increases. (There are more living things). Eventually the biomass increases to the point where it spreads out into the surrounding waters. This overflow can then be harvested. Within the MPA the fish live longer, breed more often and attain greater sizes. This means their breeding potential is also greater. (Larger fish produce more eggs and milt and therefore more babies.)
Harvesting from MPAs
In some parts of the world, MPAs have been established but the local population still harvests from them. This is sometimes for indigenous cultural reasons. In some locations these cultural excuses are abused and the harvesting is too regular to be sustainable. A overexploitation situation occurs. Local groups citing cultural exception harvest instead of allowing the MPA spillover to repopulate the regular fishing grounds.
In a report from Pew Charitable Trusts: By 2018, there are 15,600 Marine Protected Areas globally, some 25 million square kilometers. This equates to only 7% of the planets oceans. The aim is by 2020 to have 10% of the oceans protected but it seems we are falling well short of this goal. What is worse is that of the 7%, less than half are actually no take zones. Many are still open to harvesting either by indigenous groups or by commercial operations. So it seems we still have a long way to go.
Humans build bigger and bigger fishing boats. The demand for seafood increases with the human population. The pressure on the worlds oceans increases.
It is vital to respect the natural capacity of the oceans. This capacity is not only of the economic kind. How many fish swim in it or how many we can catch etc, but also how well it can recover. Recovery is fastest when the ocean is healthy. A healthy ocean has a greater ability to accept losses, not only amongst it’s inhabitants populations but also losses to it’s own intrinsic health.
Humans are affecting the very chemistry of the worlds oceans.
Natural damaging cycles such as El Nino events are becoming more common. Natural environments before could recover from these warming periods because they were infrequent. Now these events are happening too regularly for the reefs to fully recover. Each time the damage occurs, the environment has only recovered 50% of it’s potential health. The one step forward two steps back scenario.
The healthiest reef or any environment for that matter is one that is in it’s natural state. This is why it’s so important for us to set aside as much of our Planet as possible. A Marine Protected Area or any conservation area needs to left alone. They should all be left alone and there should be more of them. It is these natural wild spaces that will be the saviors of us all as we strip everything else bare.
Fish aren’t traditionally perceived as having personalities, but they’re anything but the dumb automatons that our ancestors would have us believe.
Underwater organisms don’t have the facial musculature that we as primates have evolved. Quite simply they haven’t needed it, therefore they haven’t acquired it through natural selection. However they have been evolving and surviving on this planet for over 500 million years.
And they do communicate to each other.
How do fish sense each other?
In a Darwinian world where survival is paramount, the lateral line has become their first defense and sensory organ. This first level of communicating allows the individual to feel what’s around it. The layer of sensory cells that run along the flanks of most fish, detect the pressure changes in the surrounding environment. This system has evolved to the point where fish react with an almost simultaneous motion to an external stimulus.
How do fish school in such dense numbers without colliding?
Fish have a sensory barrier around them, a kind of bubble that they can perceive. This bubble is squashed as objects or animals move around the individuals perception. They can sense their immediate surroundings in this fashion.
Some fish such as the freshwater knife-fish even generate electric fields. These fields are influenced by their surroundings, especially other animals, and the knife-fish react to that reflection of their own electric field and use it to locate prey.
Sharks have an extremely sensitive network of electroreceptors that can detect the smallest electric fields from other animals.
Vision is also important in the depths of the ocean especially in the upper Euphotic zone (where photosynthesis can occur). Most of the longer, lower energy wavelengths are lost quickly, absorbed by the water column. Red light disappears first, then orange, then yellow… leaving only blue as you descend to the furthest depths of the Photic zone (The depth that light can penetrate through water).
How do fish display their intentions?
Contrast over actual color makes a big difference at depth and aquatic animals can use that to their advantage to display their intentions. Humbolt squid for example can change their entire body from red to white and back like you can flick a light switch. They do this at depths far beyond red light can be seen (200m-700m) so appear in this twilight world as if they are going from black to white like individual morse code signals. What they are saying to each other is beyond our understanding.
Closer to the surface we have fish species that utilize many more frequencies of the electromagnetic spectrum including the ultraviolet wavelengths.
On a more day to day scenario, most SCUBA Divers and snorkelers who pay attention will have noticed that some species of reef fish can have drastically different colourations. Take the Big eye crescent tail as an example.
When it’s calm an individual will be a deep red, when stressed it can bleach to a silver. Similarly when fish such as the Big-nose Unicornfish visit cleaning stations they can display complex patterning only for it to fade to black once the fish swims away.
When fish think about sex
During spawning aggregations many fish species undergo drastic color changes that signal their readiness to participate. The bumphead parrotfish are pretty obvious during their aggregation as their heads bleach white from the usual green.
In the Caribbean, Nassau groupers migrate in groups to their annual spawning grounds and are often led by an individual who sports a drastically different body patterning. Once at the spawning site they all adopt an even more extreme color change. For further reading see this article.
Bohar Snappers have a variety of different colorations during their spawning aggregations, sometimes two small white spots appear on their dorsal area, others adopt a bleached blue hue rather than their usual russet red. Others adopt a mixture of the two with a red belly, a white stripe down their flanks and a bluish dorsal area. As I pour over the many spawning rushes I’ve filmed of this species I cannot see any distinguishable pattern in whether a female adopts a certain body color prior to her egg releasing rush. A pattern may emerge after further observations though.
See this clip of a small group interacting in preparation for spawning. The female with the broken dorsal fin is being nudged by a number of males. Maybe this nudging is meant to initiate her egg releasing rush. Maybe it’s the males trying to ascertain if she is ready or not….?
For a really in depth look at this behavior and other similar color changes seen during spawning, Tony Wu has written an excellent series of articles that are well worth a read.
Additional articles and films of Palau’s spawning aggregations can be found here.
Underwater acoustics is not just the tool of marine mammals, many fish are also extremely vocal. Have you ever swum over a reef and heard all the clicking noises? This is a medley of fish and crustaceans each with their own message. Usually the message is “this is my territory, keep out”. Sound is an extremely useful form of communication in the aquatic environment as sound travels much further than light. A fish can remain hidden whilst letting an intruder know that it’s encroaching. Groupers often growl or rumble from within their hiding place. The behavior across a multitude of species was documented here and demonstrates the rich complexity in coral reefs.
Can we talk to fish?
So in conclusion, whilst fish and other aquatic organisms like cephalopods might not be able to convey their intentions through facial cues like we can, they are extremely in tune with and aware of their environment. They are able to send messages that even other species can understand. The fact that we might not be able to understand them is perhaps our failure rather than theirs.
Have you had any interesting interactions with aquatic wildlife? I’ve not begun to get started with the marine mammals here, whole different kettle…..so there’s still a load more to talk about. Feel free to leave a comment in the section below. Do you know the difference between a head nod and a shake in Moray Eels, can you predict when a Stingray is about to lift up and depart from it’s resting place? So many more topics and examples for the future.
Underwater photography is a common art form these days with cameras readily available for reasonable prices. A large proportion of divers now have housed cameras ranging from a cell phone to the latest flagship behemoth “HMS Arri”. Many also find enjoyment in attending an underwater photography workshop as part of their dive vacation.
Underwater photography is art with a physical challenge too. The best photographer on land could be terrible underwater if they’re not a competent diver.
Underwater photography should be fun
When everyone has a camera and is “happy” with what they’re doing it’s nice to be asked by someone to help them improve their shooting.
On this occasion my student wanted help across a range of subjects. Here’s a run down of things we covered:
….and camera basics
Many issues that lead to dissatisfaction in underwater photographers are down to the inherent intelligence of cameras. Especially with point and shoots and the more automatic varieties. What I mean is that cameras are often thinking too much and because they are mostly not designed with underwater photography in mind, they can make it more of a challenge to get the best shots out of them. Auto focus is a big one for this.
Dissecting what the camera is trying to do for you is the first step. Turning off “intelligent” facets of it’s character often requires reading the manual and a little experimentation. Get to know your camera.
Next comes the basic shutter speed/ aperture/ISO balancing knowledge that all photographers worth their salt should have a rudimentary understanding of. It’s not always available but being able to control them in the camera is so much more rewarding….. and challenging…. but that’s what I’m here for.
What will absolutely ruin a good underwater photography dive is when the housing doesn’t perform so I always advocate spending as much time as you can on preparation. All it takes is one o-ring or one connecting rod out of place and you have a camera that won’t work on the dive or worse is flooded. Be prepared.
After that we have the lighting and strobe positioning that is so important underwater. Correct or incorrect strobe use will make or break a shot, so developing the mindset of creating a studio and moving your lights within it and around your subject will reap great rewards.
Bespoke one on one workshops
Often the student photographer has a certain shot in mind or wants to improve on certain elements of underwater images in general. This time we were going for sun beams through the water as a background to our perfectly placed subject so we focused on that when possible.
Overall, it comes down to patience and practice, but with an hour of preparation and coaching before the dives we had the set up and basic operations down, after a few trial shots underwater on stationary objects we have a better feel for strobe power and ball park exposure settings. Then after that it’s about looking for subjects and having fun. A few over the shoulder views by me allows a real time feedback for the student and quick adjustments when necessary. Between dives a more in depth discussion as we review results.
Certainly a faster learning curve than the old slide film days………
Contact Lightning Strikes for availability of courses or workshops, individuals or groups are welcome.
Read this article on my perspective of being a professional underwater cameraman.
For more underwater media articles follow this link
Lightning Strikes was called upon to provide location advice and be second camera for a cinematic documentary being shot in Palau. The best RED 6K cameras were used for this large budget shoot in Palau.
To provide amazing footage of Mantas we went up north to film them aggregating in the northern channels. This is part of their annual migration that occurs at this time of year.
Make it a RED camera Palau
We have been using a RED Epic Dragon with the Arri 8mm prime lens on front for the widest, closest images possible and we were not disappointed.
Late in the day we had Manta barrel feeding in shallow water surrounded by huge schools of fish that reacted in explosive and dramatic fashion as the mantas looped through them.
This footage may well end up in the finish documentary or could find it’s way into other productions. Either way, the 6K sensor from the RED provides incredible Raw footage from this day and many others we have been filming throughout this shoot.
As natural events go, very little compares to fish spawning aggregations and it’s the time of year again to be diving Peleliu. Both the Sailfin Snapper (Symphorichthys spilurus) and Red Snapper (Lutjanus bohar) are starting to aggregate along the east reefs of Yellow Wall and Peleliu Express to the corner.
For those intrepid divers, early morning dives just before the full moon will find them spawning in their thousands. Also making an appearance are the predators such as Bull Sharks and Oceanic Black Tips.
How to find the aggregations
I joined Dari Divers for this trip as they know exactly where and when to jump in, even once on the reef they can interpret the fishes behavior and know how to approach them. Check out the edited short film from this year:
Check out last years showreel with footage from the Red Snapper spawning dives here.
If you would like to read up on being an underwater camera operator check out this post.
Watch this space for updates as we return to document this impressive natural event.
Over the last few months I’ve been diving with Dari Dive Palau. Together we are planning on showing all the cool fish, sharks and mantas at new locations they know. As well as showing the best in Palau diving, they asked me to put together a short film of the regular features such as the spawning dives, aggregations, Blue Corner, Blue Holes, German Channel etc to begin with, which you can see here:
I have found Dari Divers to be particularly good. Apart from offering Nitrox, great lunches and taking small groups to the best sites, I’m finding that they have a deep understanding of the timing of natural events. This rich knowledge enables them to put their divers in the water at exactly the right time on the right day to witness nature at it’s best.
See another film I produced on another trip with them here.
Palau diving with the best
After diving at a professional level for close to 20 years, in a wide variety of locations and shops around the world, I hope I can say that I have a reasonable amount of experience in the business of recreational diving. Many shops are very busy always running at 150% (great for business/bad for customer satisfaction). Some cut corners and the customers are left with substandard guides, poor rental equipment, boats that break down etc. It’s a fine blend of personal attention and the excitement of discovery and adventure that for me makes Dari Divers stand out for a great diving experience in Palau.
Making the film
All the underwater stuff is shot on the Canon 5D3 running Magic Lantern capable of outputting 4K Raw footage. For more info on this set up see this post
Aerials were shot using the DJI Inspire 1, hand launched and caught from the bow of the boat during the surface intervals.
For the editing I looked at a different aspect ratio this time. 2.35:1 instead of the usual 16:9. This trial is to see how it holds up over time and initially I like the look. To me it makes the screen bigger even though it’s actually smaller…..go figure. It’s a trend that’s becoming more prevalent lately.
Let me know in the comments section below what you think to the film and whether or not the 2.35:1 ratio works for this sort of thing.
Watch out for new media coming from this new collaboration as well as views from new as yet undisclosed sites around Palau.
If you would like to read more on what it takes to be an underwater camera operator see this post.
Welcome to Behind the Scenes. This is Media Production Palau.
Here we have a collection of posts that look behind the cameras of Lightning Strike Productions.
At Lightning Strike we film underwater, in the air with drones and from aircraft. We film wildlife, interviews and Time-lapse sequences. We edit and produce educational films. In short we tackle everything media production related in Palau.
Most of our films and media are environment based and we take pride in all our media production projects. We are media production Palau.
As this blog grows we will be covering a range of subjects but they will mostly be grouped into the following subjects:
We are available for: Underwater filming, underwater photography, underwater camera rental. Aerial filming, drone pilot hire. Location scouting, fixer work. We can help organise permits, accommodation in Palau, dive boat charters, aircraft charters, stock footage or just advice on where to dive.
The latest media production in Palau and beyond
For a comprehensive run down of everything we got up to in 2017 check out this post. It highlights all the progress we’ve made as well as the major projects we have undertaking over the year. New camera and filming techniques with many examples of the films we shot for our clients, it also includes a show reel of our favorite footage from the year, so have a look!
Richard Brooks- Underwater cameraman: “I get a lot of e-mails asking me how to become a professional underwater cameraman, or how to use a professional underwater camera or even how I’ve got to where I am with my underwater cameraman career. So I thought I’d put together a short blog to help all those aspiring shooters.”
Unfortunately there is no one course or definite route. The more successful underwater camera operators you meet the more varied the stories you’ll get. For the sake of this, here are some recurring similarities.
Most of it may seem like common sense but hopefully my contribution offers you some insight.
If any readers have ideas that they can offer, things that I haven’t encountered or mentioned it would be great to hear from you. Please leave a comment at the bottom to help every aspiring shooter out there.