5D3 and 4K with Magic Lantern…

4K Raw Footage

4K raw footage internally recorded in a camera is usually restricted  to high end cinematic cameras like RED and Arri.

But in this day of firmware hacks and open source programs the realm of Raw is available on cameras that cost  a couple of thousand dollars or less.

I don’t know how many out there are still using this combination, I feel….. I know, on my island, I’m the only one, and that makes me nervous but excited at the same time.

I love the bleeding edge. I don’t have the money to gamble a test on my own $2.5K camera body with new firmware on a regular basis, but will bite the bullet once some guinea pigs have gone first….

What gets me though is the latitude inherent in the 5D3. It seems that Canon put a C700 system in a DSLR body and restricted it, but at the same time left the door open…

That was what I was gambling on when I bought into this system because it does some incredible things to an already impressive camera. I use this combination almost exclusively underwater.

Check out this article I wrote for the dive photo guide.

If you’d like to see more insights into how to become a professional Underwater Cameraman see this article.

Super 35mm 4K comes to Canon 5D Mark III in new Magic Lantern module – IT’S REAL

Full credit to the guys who work the code. Hats off to you A1ex and co.

 

Regards and thanks

 

Richard

 

 

Dive Palau film

Promoting the best

Over the last few months I’ve been diving with Dari Dive Palau. Together we are planning on showing all the cool fish, sharks and mantas at new locations they know. They asked me to put together a short film of the regular features such as the spawning dives, aggregations, Blue Corner, Blue Holes, German Channel etc to begin with, which you can see here:

I have found Dari Divers to be particularly good. Apart from offering Nitrox, great lunches and taking small groups to the best sites, I’m finding that they have a deep understanding of the timing of natural events. This rich knowledge enables them to put their divers in the water at exactly the right time on the right day to witness nature at it’s best.

See another film I produced on another trip with them here.

After diving at a professional level for close to 20 years, in a wide variety of locations and shops around the world, I hope I can say that I have a reasonable amount of experience in the business of recreational diving. Many shops are very busy always running at 150% (great for business/bad for customer satisfaction), some cut corners and the customers are left with substandard guides, poor rental equipment, boats that break down etc. It’s a fine blend of personal attention and the excitement of discovery and adventure that for me makes Dari Divers stand out for a great diving experience in Palau.

Making the film

All the underwater stuff is shot on the Canon 5D3 running Magic Lantern  capable of outputting 4K Raw footage. For more info on this set up see this post

Aerials were shot using the DJI Inspire 1, hand launched and caught from the bow of the boat during the surface intervals.

For the editing I looked at a different aspect ratio this time. 2.35:1 instead of the usual 16:9 to see how it holds up over time and initially I like the look. To me it makes the screen bigger even though it’s actually smaller…..

Let me know in the comments section below what you think to the film and whether or not the 2.35:1 ratio works for this sort of thing.

Watch out for new media coming from this new collaboration as well as views from new as yet undisclosed sites around Palau.

See their website here

 

Cheers

Richard

 

Fixer services for international productions in Palau.

As international media productions go, the first Survivor Palau was big. It needed location scouts, fixer services, permits, talent, crew, camera assets, camera rentals, customs clearence, vehicles, accomodations…. All things the production team needed to know about BEFORE they got off the plane for the production shoot.

Even small scale productions need these things so it’s important to not underestimate the value of a local fixer.

Ocean Warriors Palau production required considerable preproduction and fixer services
Lightning Strike Productions provided in country support throughout the Animal Planet shoot for Ocean Warriors

This is where having an experienced and well connected local crew can save you time and money, ensuring you get what you need to deliver your project on budget and on time.

Remove the stress of production

A location shoot doesn’t have to be stressful, it shouldn’t be stressful if you have done your research and found the right guys on the ground to get things done for you. If things for whatever reason don’t pan out, and sometimes no amount of research will stop it, it’s good to have people there that are focused and can still deliver if the Gods of fate are not smiling.

Assistant cameraman and safety diver prepare for an underwater shoot in Palau
Safety diver and assistant cameraman discussing lighting and camera positions.

Pooling your resources is important. Having what you need a phone call away is something that only a well connected and experienced fixer can provide. After all, it’s not what you know it’s who you know. No amount of years filming for this or that company will enable you to get an interview with the President or find you the village elder that can deliver the story clinching quotes.

Get the best fixer services with the Lightning Strike Team in Palau

Lightning Strike Media Productions has at it’s disposal an accumilation of decades of media production, journalism and living in Palau experience. If you are a Producer, DP, camaraman or one man production unit, you should let us help you realise your production goals. We work closely with the Government and NGOs on a variety of projects so have great contacts and experience where it matters. No other company can provide the same level of fixer services in Palau. See this post for more information.

Our clients have included Discovery Channel, ABC Australia, CNN, Arte, ZDF, Al Jazeera Economist magazine and the BBC along with numerous ad agencies and independant producers.

Contact us to discuss your project.

 

 

 

 

 

 

 

Palau’s Extreme Reefs

Expedition Palau

Palau’s northernmost island Ngurangel and it’s southernmost Helen Reef are separated by little over 400 miles of island peppered ocean but are remarkably similar. Both are low lying sandy features surrounded by huge atoll reefs which makes them a haven for both marine and bird life. Their isolation is what makes them so special.

Helen Reef

Helen reef  is a long thin spit of land, sparsely vegetated. It has a resident population of 4 rangers, 3 dogs and about 5000 sea birds.  The rangers have their own accommodations and  keep an eye out for illegal fishing activities. It lies closer to Indonesia than it does Palau’s capital Koror.

Continue reading “Palau’s Extreme Reefs”