The Republic of Palau continues to provide great opportunities for Media Production. As we start 2018, I would like to share with you some of the highlights from the past year and our hopes for the future.
New media techniques and projects in Palau
Over the last 12 months we have continued to diversify our filming techniques. Aerial filming with Drones and Aircraft mounted action cams have provided great footage for our clients.
Exciting 6K B-roll from Time-lapse techniques has also added to production value.
We have embraced 360 VR media and continue to develop this new and exciting form of media. Mosaic panoramas provide a new and artistic form for social media in addition to producing very high resolution images for printing.
Underwater filming in Palau is still incredible. New behaviors and environments were documented in greater detail this past year. Our cameras can output 4K Raw footage, meaning the very best colors are available.
Wildlife and conservation topics are still very close to our hearts. A large project on migratory shorebirds was completed in the Autumn. This milestone project raised local awareness for the need to protect certain coastal environments in Palau.
I would like to take this opportunity to thank you all for your continued support into 2018.
Together we can make Lightning Strike Productions grow further and provide more innovative and educational media for Palau and Micronesia.
I’ve been struggling with creating a good panning time-lapse using Circular Polarizers since…well since I started using the combination. The sky is never consistent and the darkening effect uneven.. So I invested in a professional level ND filter system from Lee, a UK based filter company.
It’s not cheap to start but the quality is incredible. There is no colour cast on the image, all the filters do is limit the light. This means I can either open up the iris for really shallow depth of field or keep the shutter open for much longer and still have a properly exposed shot.
This shutter dragging is what I’ve been looking for with Time-lapse sequences and the Lee system allows me to stack multiple filters together to really dial in the effect. The system also allows me to start with say 3 filters then as the sun goes down I can remove them one at a time whilst adjusting the camera’s exposure to transition from day to night.
Yesterday was the first field test so I packed my gear and headed for one of Palau’s secluded waterfalls.
Using a 0.75 filter I could drag the shutter to 1.3 seconds blurring the water nicely.
Watch this space for more insights into these freshwater environments or check out this section of my portfolio for creatures I’ve already filmed at other waterfall and freshwater locations in Palau.
This showreel contains Time-lapse footage shot with both the Little and Big Stopper filters from Lee, find their website here.
I’ve been a Media Producer in various guises in Palau for 10 years now, initially as an underwater cameraman with a little bit of topside work thrown in, then diversifying into Time-lapse, run n’ gun, aerials (drone and aircraft), interviews etc.
Palau has changed a lot in those 10 years and this has made me change with it.
Here are 10 things (actually 11) I’ve learned about Media Production in that time:
So many cameras
Now more than ever people have cameras, as a dedicated cameraman I’m being squeezed by the ready availability of cameras. Everyone over the age of 5 seems to have one (gross over generalization, I know). So now more than ever I have to be inventive with my imaging, flexibility and the old cliche of thinking outside the box are more important than ever before. Don’t be afraid to try new techniques, think about a sequence or image you want to acquire, no matter how crazy or impossible it first appears to be, then work out how to do it. Dare to be different.